Elinor Hanson, her name not quite matching her mixed-race visage, has 10 days to prove herself worthy of an assignment for the prestigious Standard magazine. At 42, she’s struggling to establish her journalism career after long years in modeling. Her grad-school mentor Richard (and former...
Journalist/artist/activist Ari Honarvar's promising debut, A Girl Called Rumi, memorializes the lifesaving power of storytelling through the darkest terrors. In 1981, the Iran-Iraq War was still new and a semblance of normalcy seemed possible for 9-year-old Kimia, who claims "Rumi" as part-time moniker. She's missing...
In the chilling, spare-but-oh-so-dense novel The Rooftop, Uruguyan writer Fernanda Trías introduces Clara – her name a sharp contrast to her uncertainty, her unknowing – as she recounts the life that she announces on the opening page "came to an end today." Once upon a time,...
As in her lauded debut short story collection, A House Is a Body (2020), Shruti Swamy examines women’s ownership of their very selves in her first novel, which is set in a disappeared Bombay. Swamy divides Vidya’s young life into five distinct sections, focusing on pivotal...
Korean Canadian June Hur’s enthralling debut, The Silence of Bones, vividly captured 19th-century fatal court intrigue during Korea’s Joseon Dynasty. Her follow-up is another tautly plotted thriller, set in 15th-century Joseon, and helmed by relative audiobook newbie Sue Jean Kim, who adroitly controls a sprawling...
*STARRED REVIEW Bilingual Chinese American writer, poet, and translator Ye Chun showcases her linguistic prowess in a prodigious debut collection featuring women on both sides of the globe, many defined and confined by and reliant on motherhood. The titular “hao” recurs, meaning “Good, yes, okay. The most...
Lauren Groff has built a significant career crafting novels and stories featuring sharp observations by and about modern women. In a surprising feat of time travel, the two-time National Book Award finalist (for Fates and Furies and Florida) leaps back to 12th-century England in Matrix and fictionalizes the life...
*STARRED REVIEW Mariana Enriquez’s second collection, after 2017’s Things We Lost in the Fire, is insatiably addicting even as the dozen stories are gruesome, lurid, and utterly weird. As a Buenos Aires journalist, she witnessed true horror, the consequences of dictatorship, corruption, 30,000 disappeared; her literary...
*STARRED REVIEW The characters in Yoon Choi’s stories are caught in-between cultures, families, generations, even life and death. Especially stupendous are her Korean immigrant women-in-flux. In “The Church of Abundant Life,” a childless woman recalls how she met her husband through her English tutor in Korea...
*STARRED REVIEW Singaporean creator Weng Pixin's vibrant Let's Not Talk Anymore began with a "big 'f*ck this, f*ck you!' kind of attitude" after one of her "many disputes and disagreements with [her] Mom." The work made her think more deeply about not just her mother, but her...
As if channeling the success of her debut, Ayesha at Last – a contemporary Muslim Pride and Prejudice – Jalaluddin’s new rom-com doesn’t stray far from Austenian independent women and their recalcitrant partners-to-be. Chasing broadcast dreams, titular Hana Khan interns at Radio Toronto and anonymously podcasts on her own, spurred...
Sujata Massey introduced feisty Perveen Mistry, India's first female solicitor, in the Agatha Award-winning The Widows of Malabar Hill in 2018. In the meticulously researched and entertainingly executed The Bombay Prince, Massey continues to mine details from the lives of two groundbreaking Indian women – Cornelia Sorabji and...
Dhaka-born, Harvard PhD-ed, London-domiciled Tahmima Anam has won prestigious accolades for her Bengal trilogy into which she’s lyrically woven Bangladeshi history with personal inspiration. She turns utterly contemporary in her newest novel, which reads rather like an elevated, fictional version of Anna Weiner’s Uncanny Valley...
Get ready to cheer for this #OwnVoices victory with an author and narrator who are both Argentinian American, presented here in perfect synch. Sol Madariaga might be new to audiobooks, but her acting gigs across multiple continents have well-prepared her to fluently cipher Yamile Saied...
China Room, the outstanding third novel by Sunjeev Sahota, ends with a black-and-white image of an older woman holding a crying infant. That photo – displayed in a dining room in China Room – is the dual narrative's pivotal connector: a "great-grandmother ...
*STARRED REVIEW Bestselling Korean author Bora Chung is a genre-defying polyglot. She’s a Yale MA-ed, Indiana University PhD-ed translator of Russian and Polish modern literature into Korean who writes an amalgam of speculative, ghostly, literary horror fiction. Her glorious anglophone debut, enabled by award-winning Anton Hur,...
Everyone and every place remain assuredly familiar here: Nick, Gatsby, Daisy, Tom, Jordan, Myrtle and George drink, dance, manipulate and die throughout East Egg, West Egg, Nick's cottage, Gatsby's mansion, the Plaza suite, and the green-lit dock. But Nghi Vo's first novel (after novellas The...
Once upon a time, two Bosnian girls arrived at kindergarten with paper-doll selfies. Sara’s mother made hers, garbed in pink and glittery. Lejla’s was blank. “[I]t’s not like I wear the same clothes every day,” she insisted, as if already aware that future incarnations –...
Let’s just agree that Casandra Campbell is not fluent in any Asian languages – which makes her an odd (mis)casting choice for a title set mostly in Tibet, populated by mostly Tibetan characters. That said, lauded journalist Barbara Demick’s extraordinary latest is a book to...
Kikuko Tsumura has already won major Japanese literary prizes – most often writing about women in the workplace. Her U.S. fiction debut, There's No Such Thing as an Easy Job, smoothly translated by award-winning Polly Barton, features a 36-year-old unnamed working woman, her anonymity convincingly...
