Long before the first alarms are triggered here, renowned museums have been legal showcases for artful plunder: Nefertiti’s Bust in Berlin’s Neues Museum, the Rosetta Stone in the British Museum, the Koh-i-Noor in the Tower of London. Grace D. Li’s fascinating albeit uneven debut zeros...
Artist Emma Fick’s illustrated travelogue combines intricate art and intimate observations – vibrantly colored and distinctly hand-lettered – of a Beijing-to-Moscow expedition on the Trans-Siberian Railway. In May 2015, while in Finland with her then-boyfriend-now-husband, the pair found a used book, Trans-Siberian Handbook, that had...
In her first historical novel, Vanessa Hua (A River of Stars, 2018) draws on 20-plus years of experience as a journalist covering Asia and the diaspora to reclaim a few of the “millions of impoverished women who have shaped China in their own ways yet...
Short-story collections can be uneven, but readers will be consistently impressed by these extraordinary, resonant, and exhilarating debuts by a dozen diverse writers. Afterparties. By Anthony Veasna So. 2021. Ecco. So’s nine electrifying stories magnificently create an interconnected Cambodian American community. The most autobiographical is “Human Development,” in...
More and more, New York-based video editor Alice needs to return to California to manage her chain-smoking, hard-drinking stepfather, who is always referred to as the Father. His “handle on ADLs [activities of daily living] had already been slipping,” and he requires increased levels of...
Fourteen voices (each embodying a specific poetic form!) – enlivened by 14 performers – take turns bearing witness in this novel in verse. Perspectives shift among the enslavers, the enablers to such inhumanity, their victims, and their descendants, revealing decades from capture to post-Civil War...
Exceptional narrator Dominic Hoffman adroitly assumes the internationally mega-bestselling, 2020 Prix Goncourt-winning, Anglophoned latest from prodigious French author Hervé Le Tellier. Hoffman begins as professional assassin Blake, then becomes frustrated author Victor, film editor Lucie, and David, who is about to be diagnosed with terminal...
Veteran narrator Hillary Huber (soon to hit 700 credits) seems exactly in her element in embodying Hannah Lillith Assadi’s (Sonora, 2017) elegiac second novel of devolving connections, recalled through the scattering memories of an aging woman facing dementia. Once upon a time, Elle was madly in...
*STARRED REVIEW Familiar joy is immediate as one reenters Don Lee’s signature worlds of brilliant resonance and quiet depth. In his first short story collection since his lauded Yellow debut, Lee again questions identity, unlikely relationships, and fleeting connections. “Truth was a collection of falsehoods,” Lee’s filmmaker...
*STARRED REVIEW Narrator Aidan Kelly persuasively transforms Claire Keegan’s brilliantly polished story into a gorgeous treasure. Adapting the lilting rhythms of Keegan’s Irish-accented English, Kelly utterly embodies local coal man Bill Furlong making his delivery rounds as the Christmas holiday approaches. A devoted husband and father of...
Multi-disciplinary artist and writer Vivek Shraya (The Subtweet, 2020) continues her thoughtful, deliberate self-narrations. Her latest essay collection centers change: “If I were to have anything resembling a higher purpose, I’d now say that it’s to evolve and to model evolution. To demonstrate the beauty...
Gerda Saunders, who wrote Memory’s Last Breath (2017), an exquisitely bittersweet record chronicling her experiences with dementia, is one of my most beloved friends. We have books in common, in that we find great solace and escape in the (well-)written word. Inspired by our last visit...
*STARRED REVIEW Dave Eggers’ voice-of-choice Dion Graham again convincingly ciphers the author’s newest white-woman protagonist, Delaney Wells, an employee of The Circle’s (2013) Mae Holland. Here the Circle has exploded into the Every, the world’s most ubiquitous conglomerate, which continues to develop manipulative mechanisms to subtly...
*STARRED REVIEW Mention of Wim Wenders’ Buena Vista Social Club sets this novel in 1999, when Oh San turns 23 that summer. She left her childhood village years ago, haunted by the memory of a best friendship’s wrenching cleaving. After being repeatedly abandoned by her mother,...
*STARRED REVIEW French graphic creator Fabien Toulmé opens the second of three volumes featuring Syrian refugee Hakim and his extended family with a clever recap of the first entry, facilitated by Toulmé’s young daughter, who asks to accompany him for the next interview: Toulmé lays out...
The mutable, esoteric art world is again the setting for award-winning Argentinian María Gainza’s latest, deftly translated by British writer-editor Thomas Bunstead, who also English-enabled her award-winning Optic Nerve (2019). Gainza’s narrator warns early on, “Any person reading this ought not to expect names, numbers,...
Polyglot Yoko Tawada, who writes in both Japanese and German, introduced an ursine character named Knut in Memoirs of a Polar Bear (2016) and opens her newest import with a same-named protagonist. Whether or not the two are related seems unlikely, yet in Tawada’s fascinating tale,...
“I assure you, this country is a paradise for women,” a covered figure insists, her arms raised in a victorious V. But this is Iran, and her declaration doesn’t quite resonate with the local population. Two journalists – a couple publishing under the collective pseudonym...
*STARRED REVIEW In addition to Carlos Ruiz Zafón’s standalone Marina (2015), Daniel Weyman previously narrated The Labyrinth of the Spirits, considered the finale to the internationally bestselling Cemetery of Forgotten Books series. Weyman – his continuity is especially affecting – returns for Ruiz Zafón’s posthumous collection of...
Her boss calls Veracity “a personal investments advisory firm,” but to Claudia Lin, “a month into the job, it’s obvious to me that our clients think of us as a detective agency.” What she’s hired to do is verify details for clients who don’t quite...
