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BookDragon Ibram X. Kendi Tag

Stamped (For Kids): Racism, Antiracism, and You by Jason Reynolds and Ibram X. Kendi, adapted by Sonja Cherry-Paul [in School Library Journal]

12 Jul, by SIBookDragon in Audio, Black/African American, Middle Grade Readers, Nonfiction, Repost

*STARRED REVIEW First came Ibram X. Kendi’s Stamped from the Beginning, awarded the 2016 National Book Award. Then Jason Reynolds with Kendi presented (and narrated) “ A Remix” with 2020’s Stamped: Racism, Antiracism, and You for young adults. Middle grade audiences get their own version, distilled by...

Stamped: Racism, Antiracism, and You by Jason Reynolds and Ibram X. Kendi [in Booklist]

19 Apr, by SIBookDragon in Audio, Black/African American, Middle Grade Readers, Nonfiction, Repost, Young Adult Readers

*STARRED REVIEW The rest of that subtitle goes “A Remix of the National Book Award-winning Stamped from the Beginning,” with the keyword being Remix, thanks to Jason Reynolds’ (Long Way Down) remarkable synthesizing of Ibram X. Kendi’s 600-page, 19-plus-hour original. Kendi reads his introduction, lauding Reynolds’ superb...

How to Be an Antiracist by Ibram X. Kendi [in Booklist]

23 Oct, by SIBookDragon in Adult Readers, Audio, Black/African American, Memoir, Nonfiction, Repost, Young Adult Readers

*STARRED REVIEW “I used to be a racist most of the time,” insists Ibram X. Kendi, a surprising revelation from 2016’s winner for the National Book Award for Nonfiction (Stamped from the Beginning). “The opposite of ‘racist’ isn’t ‘not racist,’” he explains. “It is ‘antiracist’...

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SmithsonianAPA brings Asian Pacific American history, art, and culture to you through innovative museum experiences and digital initiatives.

About BookDragon

Welcome to BookDragon, filled with titles for the diverse reader. BookDragon is a new media initiative of the Smithsonian Asian Pacific American Center (APAC), and serves as a forum for those interested in learning more about the Asian Pacific American experience through literature. BookDragon is inhabited by Terry Hong.

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