{"id":9301,"date":"2010-05-04T08:52:54","date_gmt":"2010-05-04T12:52:54","guid":{"rendered":"http:\/\/bookdragon.si.edu\/?p=9301"},"modified":"2015-08-17T09:58:10","modified_gmt":"2015-08-17T13:58:10","slug":"author-interview-sonya-chung","status":"publish","type":"post","link":"https:\/\/apa.si.edu\/bookdragon\/author-interview-sonya-chung\/","title":{"rendered":"Author Interview: Sonya Chung [in Bookslut]"},"content":{"rendered":"

\"Sonya<\/a>By the time I actually met Sonya Chung<\/a>, debut novelist of Long for This World<\/em><\/a>, which hit shelves in March, I was already a groupie. Long <\/em>was one of those suddenly-surprising-out-of-nowhere books that make you gasp. A publicist sent it to me initially and it landed high up on my to-read pile \u2013\u00a0truth be told, most likely because I recognized her name as Korean. A few weeks later, another copy arrived, sent by my Library Journal <\/em>editor for review.<\/p>\n

Being such a breathtaking read, Long <\/em>proved to be my first-ever \u201cstarred review\u201d for LJ<\/em><\/a>. This multilayered story of two brothers \u2013\u00a0one Korean, the other who chooses to become Korean American \u2013\u00a0and their scattered families whose lives converge in the perfectly blended east\/west house on a faraway Korean island is, in a word, unforgettable. And how flattered am I that I made my YouTube debut with a quote from that review which ends Chung\u2019s book trailer<\/a> for Long<\/em>?<\/p>\n

Weeks after filing the review, another copy of Long <\/em>arrived at my Smithsonian office. This time, it was sent by Chung herself, with a lovely note about \u201cfriends\u201d who had recommended that I might be interested in the title \u2026 \u00a0and in another moment of how-tiny-the-world-is, Chung and I learned we have quite a few people in common.\u00a0So finally meeting in livetime in New York City was not without a sense of instant recognition. We wandered along the Hudson, talking about growing up less than 10 miles from each other, albeit I was long gone while she was still playing hopscotch during recess. We shared too many of the at-least-we-can-laugh-now stories of our\u00a0immigrant Korean parents.<\/p>\n

She confessed she was a misanthrope at heart, taking long breaks from humanity in her secluded farmhouse far from the city. But she\u2019s also a people-watcher, drawn to \u201cthose interesting, strange, and complex characters,\u201d some she knows, some she observes from afar. She does not, however, put her friends into her stories \u2026 although she does sometimes create composites of them. And about becoming that weird lady with the dog \u2026 read on \u2026<\/p>\n

Even though it seems you burst forth a fully formed writer, were you always?<\/strong><\/p>\n

I came out of college not knowing really what to do with myself, but somewhat oriented toward “doing good” on the planet. I’d done some internships with nonprofits but realized that I didn’t much have the personality for activism or social work; so I took that writing skill of mine and fell into grant writing, which evolved into all kinds\u00a0of marketing\/fundraising\/organizational management for nonprofits. I worked with\/for some remarkable, heroic people (all still good friends); but truth be told, I really disliked the work I was doing, although I did it for almost 15 years. I feel like I’m “on the wagon” right now \u2013\u00a0haven’t done grant writing or fundraising work in almost two\u00a0years.<\/p>\n

Your devoted readers will work hard to keep you on the straight and narrow! So why fiction writing?<\/strong><\/p>\n

It\u2019s actually a hard question for me to answer. I am a late bloomer, I didn\u2019t start writing fiction seriously until I was already in an MFA program; and if I\u2019m brutally honest, I\u2019m not sure how \u201cseriously\u201d I wrote even while in that program. In hindsight, I would say that writing \u2013\u00a0that is, putting words together to express ideas \u2013\u00a0always\u00a0came easily to me; I felt at home in words. In my 20s, I had a vague though nagging sense (as many do) that I might be an artist. So I put those two things together, I started to walk down that road, without much idea of how to do it or how it worked. It wasn\u2019t until I was well into writing Long for This World <\/em>that I started to think I was in fact a writer; that writing was my work, that I was most alive and using all my strongest intellectual and emotional faculties \u2013\u00a0all cylinders firing, so to speak \u2013\u00a0when I was writing fiction. [… click here for more<\/a>]\n

Author interview<\/strong>: Feature: “An Interview with Sonya Chung,” Bookslut.com, May 2010<\/a><\/p>\n

Readers<\/strong>: Adult<\/p>\n","protected":false},"excerpt":{"rendered":"

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