{"id":2533,"date":"2002-01-01T15:30:04","date_gmt":"2002-01-01T19:30:04","guid":{"rendered":"http:\/\/bookdragon.si.edu\/?p=2533"},"modified":"2015-08-17T10:38:16","modified_gmt":"2015-08-17T14:38:16","slug":"screening-asian-americans-edited-and-with-an-introduction-by-peter-x-feng","status":"publish","type":"post","link":"https:\/\/apa.si.edu\/bookdragon\/screening-asian-americans-edited-and-with-an-introduction-by-peter-x-feng\/","title":{"rendered":"Screening Asian Americans edited and with an introduction by Peter X. Feng [in AsianWeek]"},"content":{"rendered":"

\"Screening<\/a>Feng\u2019s title is ingeniously layered: \u201cScreening Asian Americans\u201d refers to at least three ways in which Asian Americans are screened \u2013 how they are evaluated, how their images are projected, and how they are concealed (because to screen also means to be hidden from view). Fifteen contributors are divided into three sections: Part I focuses on how Asian bodies are represented on the screen, Part II is a historic look at how and where Asian American media and filmmaking fits into the larger cinematic industry, and Part III situates Asian American film in various \u201csociopolitical and aesthetic contexts, including the documentary tradition, avant-garde film and video, the Toronto art scene, Asian American literature, and diasporic audiences,\u201d but does not in any way attempt to regulate a limiting sense of coherence or definition. Cover to cover, Screening Asian Americans<\/em> is fabulous.<\/p>\n

Reviews<\/strong>: “Diasporic Proliferation or: We’re Here, There and Everywhere … and Growing,”\u00a0Push ><\/em>, NAATA: National Asian American Telecommunications Center (now the Center for Asian American Media), 2002<\/a><\/p>\n

“New and Notable APA Books,” <\/a>AsianWeek<\/a><\/em>, September 26, 2002<\/a><\/p>\n

Readers<\/strong>: Adult<\/p>\n

Published<\/strong>: 2002<\/p>\n","protected":false},"excerpt":{"rendered":"

\"ScreeningFeng\u2019s title is ingeniously layered: \u201cScreening Asian Americans\u201d refers to at least three ways in which Asian Americans are screened \u2013 how they are evaluated, how their images are projected, and how they are concealed (because to screen also means to be hidden from view). Fifteen contributors are divided into three sections: Part I focuses on how Asian bodies are represented on the screen, Part II is a historic look at how and where Asian American media and filmmaking fits into the larger cinematic industry, and Part III situates Asian American film in various \u201csociopolitical and aesthetic contexts, including the documentary tradition, avant-garde film and video, the Toronto art scene, Asian American literature, and diasporic audiences,\u201d but does not in any way attempt to regulate a limiting sense of coherence or definition. Cover to cover, Screening Asian Americans<\/em> is fabulous.<\/p>\n

Reviews<\/strong>: “Diasporic Proliferation or: We’re Here, There and Everywhere … and Growing,” Push ><\/em>, NAATA: National Asian American Telecommunications Center (now the Center for Asian American Media), 2002<\/a><\/p>\n

“New and Notable APA Books,” <\/a>AsianWeek<\/a><\/em>, September 26, 2002<\/a><\/p>\n

Readers<\/strong>: Adult<\/p>\n

Published<\/strong>: 2002<\/p>\n","protected":false},"author":1,"featured_media":32442,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[5,20,27,6535],"tags":[3598,6608,4825,1054,51,4826,4830,29,4831],"class_list":["post-2533","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-adult-readers","category-nonfiction","category-pan-asian-pacific-american","category-repost","tag-asianweek","tag-bookdragon","tag-center-for-asian-american-media","tag-film-studies","tag-identity","tag-naata","tag-peter-x-feng","tag-race-racism","tag-screening-asian-americans"],"yoast_head":"\nScreening Asian Americans edited and with an introduction by Peter X. Feng [in AsianWeek] - BookDragon<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/apa.si.edu\/bookdragon\/screening-asian-americans-edited-and-with-an-introduction-by-peter-x-feng\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Screening Asian Americans edited and with an introduction by Peter X. Feng [in AsianWeek] - BookDragon\" \/>\n<meta property=\"og:description\" content=\"Feng\u2019s title is ingeniously layered: \u201cScreening Asian Americans\u201d refers to at least three ways in which Asian Americans are screened \u2013 how they are evaluated, how their images are projected, and how they are concealed (because to screen also means to be hidden from view). Fifteen contributors are divided into three sections: Part I focuses on how Asian bodies are represented on the screen, Part II is a historic look at how and where Asian American media and filmmaking fits into the larger cinematic industry, and Part III situates Asian American film in various \u201csociopolitical and aesthetic contexts, including the documentary tradition, avant-garde film and video, the Toronto art scene, Asian American literature, and diasporic audiences,\u201d but does not in any way attempt to regulate a limiting sense of coherence or definition. Cover to cover, Screening Asian Americans is fabulous. Reviews: "Diasporic Proliferation or: We're Here, There and Everywhere ... and Growing," Push >, NAATA: National Asian American Telecommunications Center (now the Center for Asian American Media), 2002 "New and Notable APA Books," AsianWeek, September 26, 2002 Readers: Adult Published: 2002\" \/>\n<meta property=\"og:url\" content=\"https:\/\/apa.si.edu\/bookdragon\/screening-asian-americans-edited-and-with-an-introduction-by-peter-x-feng\/\" \/>\n<meta property=\"og:site_name\" content=\"BookDragon\" \/>\n<meta property=\"article:published_time\" content=\"2002-01-01T19:30:04+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2015-08-17T14:38:16+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/apa.si.edu\/bookdragon\/wp-content\/uploads\/sites\/10\/2002\/01\/Screening-Asian-Americans.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"330\" \/>\n\t<meta property=\"og:image:height\" content=\"500\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Smithsonian Asian Pacific American Center\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@SmithsonianAPA\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Smithsonian Asian Pacific American Center\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Screening Asian Americans edited and with an introduction by Peter X. 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Fifteen contributors are divided into three sections: Part I focuses on how Asian bodies are represented on the screen, Part II is a historic look at how and where Asian American media and filmmaking fits into the larger cinematic industry, and Part III situates Asian American film in various \u201csociopolitical and aesthetic contexts, including the documentary tradition, avant-garde film and video, the Toronto art scene, Asian American literature, and diasporic audiences,\u201d but does not in any way attempt to regulate a limiting sense of coherence or definition. Cover to cover, Screening Asian Americans is fabulous. 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