*STARRED REVIEW Singaporean creator Weng Pixin's vibrant Let's Not Talk Anymore began with a "big 'f*ck this, f*ck you!' kind of attitude" after one of her "many disputes and disagreements with [her] Mom." The work made her think more deeply about not just her mother, but her...
Introduced in Jasmin Kaur’s debut, When You Ask Me Where I’m Going, mother Kiran and daughter Sahaara return in this timely hybrid prose/verse novel that deftly addresses the perils of being undocumented and surviving sexual assault. Kiran enters Canada from India on a student visa, already...
The incarceration of 120,000 Americans of Japanese ancestry during World War II is undoubtedly one of the most egregious episodes in 20th-century U.S. history. Third-generation Japanese American Naomi Hirahara carves a little-known sliver from that grievous experience and layers it with mystery to create her...
Former UNESCO Goodwill Ambassador Zülfü Livaneli's startling Disquiet requires multi-layered engagement: to appreciate it as a penetrating novel about a Turkish family confronting murder and to acknowledge it as intense sociopolitical testimony of contemporary, too-little-known, ISIL-led (Islamic State of Iraq and the Levant) genocide of the...
Mettie Ivie Harrison is no stranger to highlighting the complicated intricacies of the Utah Mormon communities in which she lives. Her bestselling Linda Wallheim mystery series unmasked domestic abuse in The Bishop's Wife; anti-LGBTQIA doctrines in His Right Hand; polygamous patriarchy in For Time and All Eternities; immigration...
Claire Lou is restarting her life in Portland, Oregon, where she’s managed to find a new apartment (never mind the money she still owes on the security deposit) and she’s even gotten herself hired as the Portland Post’s photographer. Her mother is just two hours...
Bahni Turpin opens and ends Pochoda’s thriller with electrifying energy as Feelia, the sole survivor of a serial killer who claimed 13 victims 15 years ago. All – including Feelia – had their throats slit, their heads covered in plastic bags, their bodies dumped. All...
YA novelist Syed M. Masood (More than Just a Pretty Face, 2019) makes his adult debut with a seemingly disparate dual narrative headed for collision. Self-described “lapsed lawyer” Anvar is drifting – he’s lost his love-of-his-life-since-childhood Zuha; he consistently embarrasses his devout Muslim Pakistani American family;...
Invoking the shocking Chanel Miller case, Joy McCullough introduces a mixed Guatemalan/presumed-to-be-white family in which older daughter Elinor is brutally raped; although found guilty, the rapist is released for “time served.” Despite best intentions, younger daughter Marianne’s social justice-driven public outrage only causes further damage...
Before the story even begins, the recording opens with a content warning for sexual abuse, rape, assault, child abuse, kidnapping, and opioid addiction. Tiffany D. Jackson’s (Let Me Hear a Rhyme) latest has all that and worse: the gruesome opening chapter introduces 17-year-old Enchanted Jones...
International headlines about the 2012 Delhi rape victim exposed the Indian megacity as “the rape capital of the world,” spurring award-winning journalist Sonia Faleiro (Beautiful Thing, 2012) to “find out, and to gather my findings in a book-length study of rape in India.” She finds...
Back in 1977, “Anacostia was still the New World, an isle of blood and desire.” In Washington, DC-native Morowa Yejidé’s (Time of the Locust, 2014) moody, bleak sophomore title, boundaries between the living and the dead are indiscernible. Once upon a time, Nephthys and Osiris...
Jenny Torres Sanchez’s latest doesn’t let up – beatings, rape, murder, and still more violence looms. Marisa Blake may be a relative newbie narrator, but her thoroughly bilingual ability ensures a fluent, heart-thumping listen following three teens on the run from their gang-controlled Guatemalan village...
*STARRED REVIEW It opens with the mellifluous Dion Graham and ends with an always-appreciated who-read-whom at recording’s end. In between, the horror is unrelenting, yet the three narrators persist with tenacious dignity and grace. Graham enthralls as the titular “my mother’s house” – Kay Manman Mwen...
In a story of “they said, she heard, he believed, she can’t remember,” whom do you trust? Even the title misleads – True Story: A Novel – while the final words confirm little: “But I’m trusting you to see this is true ...
Akutagawa Prize-winning Sayaka Murata (Convenience Store Woman, 2018), with her lauded, chosen translator Ginny Tapley Takemori – two short stories and now two novels thus far – returns for more societally defiant, shockingly disconnected, disturbingly satisfying fiction. At 11, Natsuki is already aware she doesn’t fit...
After a minute of unnecessary, ill-suited music, this recording opens with a chilling content warning: “This book contains scenes depicting sexual harassment and rape.” Kelly Yang’s highly anticipated follow-up to her award-winning middle-grade debut, Front Desk (2018), is markedly different from that book, as she...
Emily Lawrence narrates Hannah Capin's contemporized adaptation of Macbeth, featuring overprivileged L.A. teens with a #MeToo narrative overlay. Out at a party with her three best friends, Elizabeth Jade Khanjara is gang-raped by a group of prep school lacrosse stars. She refuses to be labeled...
Returning to the Palestinian multi-generational epic format that made her debut novel, Mornings in Jenin (2010), an international bestseller, Susan Abulhawa's haunting Against the Loveless World features another extended Palestinian clan enduring exile, surviving persecution, and (sometimes) cheating death. Abulhawa's compelling cipher is a woman with...
For Jeni McFarland, who survived childhood sexual assault, talking about her trauma "was like a dam burst," she reveals in an interview with her publisher. "It was so cathartic writing about it that I couldn't stop." That horrific survival, further aggravated by being one of...
