Before partition, the bloody 1947 cleaving that established India and Pakistan, Deepa was a happy teen in Delhi, loved by two parents who ran a medical clinic serving all in need. But hatred, politics, and fire destroyed her life. She left India, seemingly if not...
April is National Poetry Month. Of course, reading, writing, and performing poetry can and should be done any time of the year, but April encourages newbies and doubters to give verses a try. Audiobooks are a particularly effective medium for poetry, with well-chosen narrators enhancing and...
Actor/dancer Ulka Simone Mohanty confidently makes her solo debut and is clearly poised to become a chosen voice for contemporary South Asian American protagonists. Her versatility is immediately clear as she effortlessly ciphers Sonya Lalli’s (Grown-Up Pose, 2020) diverse cast: beyond career-driven exec Serena Singh,...
Mobility, adaptability, and colorful changes are confronted by the girls and women in Lara Tupper's nimble interlinked collection, aptly titled Amphibians. Although each memorable story easily stands alone, to seek and recognize the deft connections intensifies the reading experience. Unnamed narrators bookend the collection, requiring...
*STARRED REVIEW Kaitlyn Greenidge wowed the literary world with her disturbingly delightful debut novel, We Love You, Charlie Freeman; her follow-up, Libertie, shows no hints of sophomore slump. Inspired by Susan Smith McKinney Steward, New York's first Black female doctor (and the third U.S. Black woman...
Invoking the shocking Chanel Miller case, Joy McCullough introduces a mixed Guatemalan/presumed-to-be-white family in which older daughter Elinor is brutally raped; although found guilty, the rapist is released for “time served.” Despite best intentions, younger daughter Marianne’s social justice-driven public outrage only causes further damage...
Following the success of her lauded “We Set the Dark on Fire” duology, Tehlor Kay Mejia makes her middle grade debut, proving mothers are always right, ghosts exist, and La Llorona is legit. From 12 to eternal, desperate parent to dismissive cop, madwoman to murderer,...
Mahogany L. Browne takes aural control of her novel-in-verse – a first novel for the prolific poet and writer (Black Girl Magic, 2018) – enhancing her story with soft, determined rhythms. “ME & LAY LI AIN’T TALKING,” Browne opens, “cause she think she cute / cause...
*STARRED REVIEW Elizabeth Miki Brina claims her voice with resounding clarity in her memoir, Speak, Okinawa. As the daughter of a U.S. soldier with Jamestown ancestry and an Okinawan immigrant mother, Brina's identity was always a negotiation of race, class, privilege. By opening her stupendous book...
*STARRED REVIEW Marin Ireland has a mere couple dozen audio credits – the majority of them in the last few years – yet she’s undoubtedly one of the industry’s most versatile, consistently stupendous narrators. Returning for her third Fredrick Backman pairing, Ireland superbly brings to life...
Gabriela Garcia turns her MFA thesis for Purdue University (where she studied with the revered Roxane Gay) into her widely buzzed first novel. Presented in 12 chapters that read more like interlinked stories, Garcia channels her Miami-based Cuban-Mexican American heritage into five generations of a...
With echoes of themes in his internationally lauded Never Let Me Go (2005) – that life can be manufactured, bartered, bought – Booker-ed, Nobel-ed, and knighted Kazuo Ishiguro presents a bittersweet fable about the human heart as “[s]omething that makes each of us special and...
*STARRED REVIEW Debut author Deesha Philyaw’s 2020 National Book Award finalist in fiction gets an almost (we can just ignore those minor, clumsy production glitches) flawless performance from prolific, expert Janina Edwards. Throughout the nine consistently superb stories, Edwards adapts effortlessly between mothers and daughters, friends...
Murder is never funny, except when it is. In Jesse Q. Sutanto’s rollicking debut, which she describes in a “Dear reader” foreword as “a love letter to my family – a ridiculously large bunch with a long history of immigration,” a fatal accident begets family...
International headlines about the 2012 Delhi rape victim exposed the Indian megacity as “the rape capital of the world,” spurring award-winning journalist Sonia Faleiro (Beautiful Thing, 2012) to “find out, and to gather my findings in a book-length study of rape in India.” She finds...
*STARRED REVIEW Commonwealth Writers’ Prize-winning Canadian Japanese novelist/poet Hiromi Goto (Half World, 2010) makes her stupendous graphic debut, in splendid artistic synchronization with Ignatz-nominated Ann Xu. “It never felt right here,” Kumiko thinks as she sneaks out of an assisted-living facility her daughters thought would be the...
Before Jayci Lee’s latest even hit shelves, Lost/Hawaii Five-0 heartthrob Daniel Dae Kim optioned the rom-com as producer and star. Before Kim goes celluloid, narrator Natalie Naudus whets your appetite with this delectably sweet happily-ever-after affair. With his borrowed car broken down in tiny Weldon, California, celebrity food critic...
That Danielle Geller survived to write Dog Flowers seems miraculous. Her raw debut might need a content warning: abandonment, alcoholism, attempted suicide, domestic violence, parental incarcerations, family deaths – much of which is intrinsically linked to her enigmatic, missing mother. In bearing elegiac witness to...
At 24, “in 1994, or maybe 1995 already,” French artist Élodie Durand first began experiencing symptoms – what her family would later call her “spells” – that included abrupt memory loss and erratic behavior, such as baseless rage and violent outbursts. Her diagnosis of epilepsy...
On her 15th birthday, Janey's mother confesses that her thought-to-be-sperm-banked father is actually a real person still living in the southern Iowa town from which her mother escaped by going to New York City to "give her coming daughter a better life." Janey ignores her...
