What happens in The Days of Afrekete, the second novel by Asali Solomon (Disgruntled), takes just an evening: Liselle Belmont prepares for and hosts a dinner party to thank her husband Winn's loyal supporters, despite a failed political campaign. But Solomon deftly expands the defining event...
Journalist/artist/activist Ari Honarvar's promising debut, A Girl Called Rumi, memorializes the lifesaving power of storytelling through the darkest terrors. In 1981, the Iran-Iraq War was still new and a semblance of normalcy seemed possible for 9-year-old Kimia, who claims "Rumi" as part-time moniker. She's missing...
Pulitzer Prize winner Elizabeth Strout has the remarkable ability to engage audiences immediately with just a few opening sentences. Her marvelous eighth novel, Oh William!, is no different, made even more inviting by being the third in her Amgash series, which began with My Name...
In the chilling, spare-but-oh-so-dense novel The Rooftop, Uruguyan writer Fernanda Trías introduces Clara – her name a sharp contrast to her uncertainty, her unknowing – as she recounts the life that she announces on the opening page "came to an end today." Once upon a time,...
*STARRED REVIEW Kat Somerville will never win any mother-of-the-year awards. She shows up at the principal’s office black-eyed after her 7-year-old daughter, Sybil, bloodied another kid’s nose; rather than any admonishments, Kat brings Sybil a Stephen King novel. The rebellious pair abandon not only the school but...
Pulitzer Prize-winning polyglot Jhumpa Lahiri’s second title in Italian arrives in her own translation, narrated by Italian American Susan Vinciotti Bonito. Despite Bonito’s fluency in their shared language, her noticeably youthful timbre isn’t initially convincing as Lahiri’s unnamed, 40-something protagonist. And yet Lahiri’s unadorned, sharply...
*STARRED REVIEW Harmony Becker, who brilliantly created the artwork for George Takei’s Eisner-winning They Called Us Enemy (2019), makes her stupendous solo debut in what will prove to one of the best graphic titles of the year. The narrative might initially seem simple: a mixed-race U.S. teen...
Just as only Akwaeke Emezi could have narrated their Freshwater debut, no other voice could have manifested their first nonfiction title. Presented as an epistolary mosaic addressed to family, friends, lovers, betrayers, and heroes, Emezi’s raw voice lays bare their unadorned writing. Although the vulnerability, arrogance, and...
In 1993, 3-year-old Ly Tran arrived in Queens with her parents and three older brothers from South Vietnam. Their new apartment was not the nhà là – “a house made of sticks and dried leaves” – that had been their former home; stability, however, was...
As in her lauded debut short story collection, A House Is a Body (2020), Shruti Swamy examines women’s ownership of their very selves in her first novel, which is set in a disappeared Bombay. Swamy divides Vidya’s young life into five distinct sections, focusing on pivotal...
Korean Canadian June Hur’s enthralling debut, The Silence of Bones, vividly captured 19th-century fatal court intrigue during Korea’s Joseon Dynasty. Her follow-up is another tautly plotted thriller, set in 15th-century Joseon, and helmed by relative audiobook newbie Sue Jean Kim, who adroitly controls a sprawling...
*STARRED REVIEW Bilingual Chinese American writer, poet, and translator Ye Chun showcases her linguistic prowess in a prodigious debut collection featuring women on both sides of the globe, many defined and confined by and reliant on motherhood. The titular “hao” recurs, meaning “Good, yes, okay. The most...
Not to be confused with bestselling Julia Alvarez’s book of the same title – hers, a nonfiction examination of Latina coming-of-age quinceañera traditions – Monica Gomez-Hira makes her YA debut with a rollicking fable of quinceañeras lost and found. Eighteen-year-old Carmen never got her party: her...
Lauren Groff has built a significant career crafting novels and stories featuring sharp observations by and about modern women. In a surprising feat of time travel, the two-time National Book Award finalist (for Fates and Furies and Florida) leaps back to 12th-century England in Matrix and fictionalizes the life...
*STARRED REVIEW Michelle Zauner’s mother Chongmi died in 2014 – she was just 56, Zauner 25. Her grief inspired her first album as Japanese Breakfast in 2016. Her viral 2018 New Yorker essay, “Crying in H Mart,” morphed into the first chapter of this, her dual author/narrator...
Suzanne Park (Loathe at First Sight) crafts another engaging enemies-to-lovers romance in So We Meet Again. Back in junior high, Jessie Kim and Daniel Choi were pitted against each other by their competitive Korean American parents as beacons of near-perfection. Both eventually escaped: Jess landed on...
*STARRED REVIEW The characters in Yoon Choi’s stories are caught in-between cultures, families, generations, even life and death. Especially stupendous are her Korean immigrant women-in-flux. In “The Church of Abundant Life,” a childless woman recalls how she met her husband through her English tutor in Korea...
Patricia Lockwood, who shocked and/or delighted with her memoir, Priestdaddy (2017), continues to disquiet with her new sort-of-in-the-end tragic (but uplifting, too) family drama. Kristen Sieh might be her ideal accomplice, as she oh-so-comfortably ciphers zingers and wisecracks most readers probably never expected to hear,...
For most of her first seven years, Anna Qu was "the girl without parents; a father dead, a mother who left to start a new life." And yet those years held the "love" Qu names in the subtitle of her bittersweet debut, Made in China:...
*STARRED REVIEW Singaporean creator Weng Pixin's vibrant Let's Not Talk Anymore began with a "big 'f*ck this, f*ck you!' kind of attitude" after one of her "many disputes and disagreements with [her] Mom." The work made her think more deeply about not just her mother, but her...
