*STARRED REVIEW Emily St. John Mandel groupies will be especially tickled to discover Glass Hotel’s narrator Dylan Moore and Station Eleven’s Kirsten Potter are half the quartet that cipher her latest, in which four narrative strands connect almost five centuries. In 1912, the youngest son of a wealthy...
"In 1975 ...
Alas, this was the last Maggie O'Farrell I had left. Ever since discovering The Vanishing Act of Esme Lennox (my first and still favorite, I admit), I've moved her books to the top of the top of the To-Be-Read piles with regularity. Now that I've...
Reading four novels, each set in a major Indian city, one after another over a single week or so, has made the stories feel as if they might overlap, dovetail, conflate, creating quite the enriching literary experience. In the midst of A Fine Balance, I...
Mixed in with the many death-and-destruction titles I've been reading the last few months, my most recent choices inadvertently seem to have an added layer of death-and-destruction-in-the-name-of-God. Too many books, regardless of genre or target audience, seem to offer irrefutable proof that the rules and...
In spite of its heft (500+ pages, or 20.5 hours if you let the perfectly-paced John Lee read to you), not much really happens in The Museum of Innocence. I'm adding here the requisite spoiler alert, but I'm fairly certain that most readers will guess the outcome...
Here are the two most important things I got out of Snow: 1. it definitely had memorable glimpses of Turkish social and cultural history that I had little to no knowledge of previously; 2. Orhan Pamuk is a clever, intelligent writer, which – given his array...
