10 Apr / Two Parrots by Rashin, inspired by a tale from Rumi
According to a note at book’s end, Jalāl ad-Dīn Muhammad Balkhī of 13th-century Persia, also known as Jalāl ad-Dīn Muhammad Rūmī, or simply Rumi, “… is currently considered to be the ‘most popular poet in America.’”
International award-winning illustrator/writer Rashin wants to make sure that even the youngest readers can access and appreciate the timeless poet. To that end, in a simple, contemporary translation illuminated with captivating pictures, Rashin presents a story about love and freedom from Rumi’s iconic, extensive Masnavi, his six-volume poem of Sufi spiritual lessons.
“Once upon a time, in Persia,” begins this tale of “a wealthy merchant who had everything.” Still, he found himself a bit lonely, and bought a lively talking parrot to keep him company. In spite of all the endless comforts the merchant offers his fine feathered friend, the parrot remains sad in his beautiful golden cage. As the merchant makes plans for a trip to India, he generously asks all his servants what he might bring back as gifts. Rather than any luxuries, the parrot’s only desire is but a message to a friend: “‘Tell him I would love to see him, but I can’t because I live in a cage.’” The merchant dutifully delivers the missive, only to witness the friend’s sudden death at the news. Upon his return home, how the merchant’s own parrot reacts to his regretful report teaches the merchant “a lesson [he] will never forget.”
Rashin, too, is just as ingenious as her avian characters, as she creates a complementary ‘hidden-in-plain-sight’ narrative in Farsi. In case you’re not lucky enough (like grateful me) to have a literary Persian friend, allow me to share a few tidbits. The three servants’ requests penned on a long scroll, begin with the word ‘sogati,’ the Persian concept of gifts gathered from one’s travels to specifically share with family and friends waiting at home (think souvenirs with purpose) – in this case, items include “perfume, clothes, jewels, sweets, wine, fruits, scarf, fabric.” The merchant is surely indulgent.
Most revealing of all is the parroted epistolary exchange: the sealed envelope at story’s beginning suggests that the Indian parrot’s name is Sina, as he writes, “My dear friend, salaam [hello] …,” to his caged buddy; as the ending nears, the scattered pages around the parrot’s cage show a letter in progress, in which the trapped parrot replies to his friend: “Salaam, my dear friend, I wished I could see you,” and “You are lucky because you are free.” Love should never be at the cost of freedom, and Rashin-via-Rumi offers an important early lesson about healthy relationships (21st-century helicopter parents – who me?! – might take careful note). Thanks to Rashin’s vivid, empathetic presentation, here’s a teachable moment translated into an enchanting, memorable experience.
Readers: Children
Published: 2014